In reality, they figuratively clarify that Gregor is a detainee of his family.
Thus, Kafka, in Metamorphosis, puts into the realistic, prosaic environment of the Samsa household a situation that is, to put it mildly, unrealistic: To read allegory is simply to "probe" this field of meaning. We can probe it only if we momentarily put aside the unreality which creates the field and measure the extra values given the realistic elements.
By reading them imaginatively, we can understand the nature of the field; only then can we turn back to and understand the unreal element that created the field. If we look first at the unrealistic elements, there is a danger that we will be dazzled and see no more, as in the usual crude reading of Metamorphosis: Samsa is a cockroach, Samsa equals Kafka, Kafka thinks of himself as cockroach, and so on.
Looking first at the realistic elements and their extra values avoids a second danger in reading allegory: For fully the first sixth of the story Gregor goes through exactly the kind of internal monologue any of us might if we had caught a discomforting, but not disabling, cold.
To hell with it all! Gregor, a traveling salesman who sells cloth, says of his boss: Still, all hope is not lost; once I have got together the money my parents owe him—that will be in about five or six years—I shall certainly do it.
Why was Gregor, particularly, condemned to work for a firm where the worst was suspected at the slightest inadvertence of the employees? Were the employees, without exception, all scoundrels? Was there among their number not one devoted faithful servant, who, if it did so happen that by chance he missed a few hours work one morning might have found himself so numbed with remorse that he just could not leave his bed?
He seemed satisfied, however, and the two women, who had been anxiously watching, gave each other a smile of relief. Indeed, the reference to the high desk echoes the Old Testament metaphor of the God "most high" who yet can "hear" us: But your iniquities have separated between you and your God, and your sins have hid his face from you, that he will not hear" Is.
Read this way, the debt that Gregor assumed for his parents and must pay resembles original sin. Only after he has expiated the sin-debt can he "take the big step" toward freedom. The description of the "firm," with its atmosphere of universal guilt and punishment, also hints at original sin: Gregor and his fellow-workers are treated like the evil servant whose lord "shall come in a day when he looketh not for him, and in an hour that he is not aware of, and shall cut him asunder, and appoint him his portion with the hypocrites: Gregor is indeed cut off from men; he gets his "portion" of garbage from his hypocritical family, and one evening when he eavesdrops on the three lodgers eating: The fact that employers come in threes after the metamorphosis hints at a shift from Old Testament to New like that of "In the Penal Colony"; more immediately, however, it suggests that each member of the family has to take up a share of the burden of subservience that Gregor had borne alone before.
Thus, Gregor had proudly brought home cash as a traveling salesman for a cloth concern.
His job is now broken into its separate components. His father goes to work for a bank: His mother deals with the cloth, "the linen of strangers. The entire section is 3, words.See a complete list of the characters in The Metamorphosis and in-depth analyses of Gregor Samsa, Grete Samsa, and The father.
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the regionalism and the imperturbable Sam trace their faults in the means of transport and they skipped without hurry. Arthur Pita’s adaptation of Franz Kafka’s novella had its premiere at the Royal Opera House’s Linbury Studio Theatre in The role of Gregor Samsa was created for Royal Ballet Principal Edward Watson, and draws on his extraordinary technical abilities.
― Franz Kafka, The Metamorphosis. 9 likes. Like “He slid back again into his earlier position.
"This getting up early," he thought, "makes a man quite idiotic. A man must have his sleep. Other travelling salesmen live like harem women. For instance, when I come back to the inn during the course of the morning to write up the necessary.
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